“Early Abstract Expressionism: A Concern with the Unknown Within.” In

نویسندگان

  • Robert Hobbs
  • Gail Levin
چکیده

ed version of a Chinese landscape, rendered in saturated hues subtly diffused over the surfaces of his canvases. In his art there is a hermetic, secretive quality evidenced in dark tones and subtle nuances of paint. Formally, his works belong with early Abstract Expressionism even though Reinhardt separated himself from the attitudes that intrigued so many of his peers. He viewed art as a tautology and found the Abstract Expressionist emphasis on angst-ridden brushstrokes melodramatic. Perhaps, his position can be most clearly elucidated if one regards him as both a participant and the conscience of Abstract Expressionism, who pursued in painting what he rejected in words.

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تاریخ انتشار 2006